![]() ![]() Process Them in ContextĪutomation and compression work together. You’ll end up with a vocal that’s full and present, without lots of processing. ![]() This way, you’ll shape the rest of your mix around it. The most important track in your mix will sound small, thin, and harsh. If you pull up the fader and realize there’s no room, you’ll often need gobs of EQ to solve the problem. This makes the order in which you mix crucial.ĭon’t wait too long to bring in the vocal. These tracks usually end up sounding smaller than the ones you started with. Newly added tracks start getting in the way, so you EQ and process them to fit with the rest of your mix. You don’t need to shape it to fit with anything else.īut as you move through the mixing process, space fills up. Whatever track you bring in first has all the space in the world. ![]() The beginning of a mix is like a blank canvas. Read on to discover the keys to mixing vocals like a pro… 1. If you’re struggling to craft studio-quality vocals, these seven tips are a great place to start. And since we’re so familiar with the sound of the human voice, we’re quick to notice any imperfections. They’re often the loudest thing in a mix, which leaves little room for error. If your vocals don’t sound great, you may be dooming your music to obscurity.īut knowing this alone doesn’t make mixing them any easier. Ever heard a modern hit record with a poorly mixed vocal? ![]()
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